On August 23rd, 2016 The Jazz Gallery Salon Series
YOSVANY TERRY & EDMAR CASTANEDA
with rooftop cocktails and an intimate salon in a Greenwich Village loft. Enjoy some photos from the evening!
YOSVANY TERRY – Saxophonist & Composer
SINCE ARRIVING IN NEW YORK CITY IN 1999 CUBAN SAXOPHONIST, PERCUSSIONIST, AND COMPOSER YOSVANY TERRY “HAS HELPED REDEFINE LATIN JAZZ AS A COMPLEX NEW IDIOM,” SAYS THE NEW YORK TIMES.
Born into an illustrious musical family in Camaguey, Cuba, Yosvany Terry is an internationally acclaimed composer, saxophonist, percussionist, bandleader, educator and cultural bearer of the Afro-Cuban tradition. After immsersing himself in the European classical tradition at Havana’s prestigious National School of Arts (ENA) and Amadeo Roldan Conservatory he went on to perform with major figures in every realm of Cuban music, including celebrated nueva trova singer/guitarist Silvio Rodriguez, pianists Chucho Valdes and Frank Emilio, and Don Pancho y Los Terry, the band led by his father, violinist and shekere master Eladio “Don Pancho” Terry Gonzales.
From his earliest days in New York, Terry has been embraced by the jazz and contemporary music community, playing with Branford Marsalis, Rufus Reid, Dave Douglas, Steve Coleman, Roy Hargrove, Henry Threadgill, trumpeter Avishai Cohen, Jeff “Tain” Watts, Gonzalo Rubalcaba, Taj Mahal and the Eddie Palmieri Afro-Caribbean Sextet. While best known as a blazing improviser, he’s rapidly gaining renown as a composer, bandleader and educator with a string of high-profile awards, appointments and commissions. In 2015, Terry was named a recipient of the prestigious Doris Duke Artist Award, and was hired by Harvard University as Director of Jazz Ensembles and Senior Lecturer on Music. He has received recent commissions from San Francisco’s Yerba Buena Garden Festival (“Noches de Parranda” for 12-piece ensemble with the support of The MAP Fund), the French-American Jazz Exchange with support from the Mid Atlantic Arts Foundation and Doris Duke Charitable Foundation (“Ancestral Memories” with French pianist Baptiste Trotignon), and the Harlem Stage (the score for the opera “Makandal,” premiering in 2016-17). Terry also received a grant from Rockefeller Philanthropy Advisors and New York State Music Fund to create Afro-Cuban Roots: Yedégbé, a suite of Arará music documented on his acclaimed 2014 album.
His latest release, 2014’s GRAMMY Award-nominated “New Throned King” (5Passion), features music based on cantos and rhythms of the Arará people of the western Cuban province of Matanzas, who hail from the Dahomey kingdom’s Fon culture in what is now Benin. His previous album, 2012’s “Today’s Opinion” (Criss Cross), was selected as one of the Top 10 Albums of the Year by the New York Times’ Nate Chinen. Terry’s latest project, The Bohemian Trio, is a genre-defying contemporary music ensemble based in New York slated to release its first album in the spring of 2016.
EDMAR CASTANEDA – Colombia harpist
Was born in 1978, in the city of Bogotá, Colombia. Since his move to the United States in 1994, Edmar has quite literally taken New York and the world stage by storm with the sheer force of his virtuosic command of the harp—revolutionizing the way audiences and critics alike consider an instrument commonly relegated to the “unusual category”. A master at realizing beautiful complexities of time, while skillfully drawing out lush colors and dynamic spirit, The legendary Paquito D’Rivera, Edmar’s frequent collaborator, has remarked:
Edmar is…an enormous talent, he has the versatility and the enchanting charisma of a musician who has taken his harp out of the shadow to become one of the most original musicians from the Big Apple.
Even now, on stages across the globe, one notes how Edmar’s body seemingly engulfs his Colombian harp as he crafts almost unbelievable feats of cross-rhythms, layered with chordal nuances rivaling the most celebrated flamenco guitarist’s efforts.
Edmar’s latest recording “Double Portion,” (which features Miguel Zenon, Cuban pianist Gonzalo Rubalcaba & Hamilton de Holanda on Mandolina) has caught the attention of reviewers and his legion of fans. Rob Young of “Urban Flux Magazine” says of the recording “Edmar Castaneda’s caliber redefines depth, skill and emotion.”
In addition to his acclaimed performing career as an instrumentalist, which has included features at D’Rivera’s Carnegie Hall tribute, Jazz at Lincoln Center, The John F. Kennedy Center for the Performing Arts, the Tanglewood Jazz Festival, the 10th annual World Harp Congress, he has also play with Wynton Marsalis and the Jazz at Lincoln Center Orchestra, John Scofield, Marcos Miller, John Patitucci, Chico O’Farrill ‘s Afro-Cuban Jazz Big Band and Edmar Castaneda has gained recognition as a composer.
“The Colombian plays the harp like hardly anyone else on earth. His hands, seemingly powered by two different people, produce a totally unique, symphonic fullness of sound, a rapid-fire of chords, balance of melodic figures and drive, served with euphoric Latin American rhythms, and the improvisatory freedom of a trained jazz musician…captivating virtuosity, but in no way only virtuosity for its own sake.” – Frankfurter Allgemeine Zeitung